(403) 701-4887 design@p2211.com

Typography, a Pillar Element in Logo Design

A good article about Principles of Logo Design is reminding us how and why Visual Communications rely so much on a clear logo in order to transmit a message to the general public. “A memorable logo design is essential for running a successful business these days. Such a logo becomes an effective tool in the hands of marketers to build a trustworthy brand identity of the business. But there are some basic principles for creating a unique logo. Only a well-thought-out logo can contribute purposefully to the growth of your business.” Let’s talk about your Logo Design.

Some would consider seven principles of Logo Design in order for a logo to be great. It’s crucial to know your goal when designing a logo, and why are we ending up with a concept or another as the final version.  The following elements and principles are to be taken into account before starting the design process: Simplicity/Minimalism, memorability, originality, contemporary-long lasting time, balance, complementary, versatility.

Simplicity/Minimalism

The best logos – the ones that give the viewer an immediate and clear sense of “you” – are clean and uncluttered. In general, less is more and simplicity is more impactful.

Memorability

A logo should be easily recalled after just a glance. Like any symbol, it should stand for something singular, and it should be easily recalled if, after a person looks at it, he or she can immediately describe its basic elements (“It’s three interlocking circles” or “It’s a dog with a bone”). A logo that’s complex, fussy, has multiple parts and pieces, or is overly stylized will be difficult for the viewer to “get” and, as a consequence, easily dismissed.

Originality

Don’t settle for a me-too logo. Do a quick search of logos in your industry and look for patterns and avoid mimicking them. Telecomm is filled with logos featuring globes, technology, and electronics with logos that involve swooshes, and dentistry with logos of teeth or smiles (or both – see below).

These all make sense and communicate what the companies want them to, but if you do the same you lose all hope of getting noticed.

Contemporary and long-lasting at the same time

“Modern” is “today,” but not so “today” that in five years your logo will look silly.

And, modern is different than trendy. A trend is “hot today” and will naturally (sometimes thankfully) run out of steam – probably sooner than later. Modern, on the other hand, is less stylized and more restrained; it captures the relevant characteristics of the times without losing itself in detail.

A logo should be modern in that it should be contemporary, yet not so nuanced with “hot” components that when that trend has run its course you’ll be left with something that feels outdated. Because then your company feels outdated to your prospects.

Your overall approach should be modern as should specific elements, colors, and typefaces.

Some logos have changed little over time, only tweaked to make them more modern but keeping essential elements intact, like UPS, Starbucks, and Burger King.

Balance

The best logos are designed using principles of proportion and symmetry. Illustrated below, you can see how both the Apple logo and the Twitter logo utilize circles of proportionate values as well as symmetry to create a pleasing, balanced aesthetic quality.

Complementary

Your logo’s graphic device and your typeface work together (in what’s typically called a lockup) and enhance one another. Or they should. If your graphic device is clean and linear, don’t select a typeface that’s complex and playful (Fajita comes to mind). The two elements are really one, even if you determine times they can be used separately, and they must be complementary.

Versatility – Functionality

Your logo will be used in a number of ways and in multiple contexts. Here are just a few: On t-shirts, baseball caps, and, alas, fanny packs. On pens, keychains, and water bottles. On very horizontal and extremely vertical banners. On both black and white backgrounds (make sure your designer creates your logo in black and in white to satisfy these needs if necessary). Very large and very, very small. Alongside other company logos, like those for specific products and services

Logo design hatrac

Logo Design Hatrac

Calgary Logo Design - Hatrac.ca, a logo concept designed in the time of our colaboration with Stillfire Studios in Calgary. Lots of good words about Stillfire as they are organizing tons of events in Calgary. More work from that time coming up. 

All contemporary arts – logo design

All Contemporary Arts – Logo Design

All Contemporary Arts - Logo Design (2009); digital media design group with in an oomph of contemporary aspirations. A digital art boutique, online for a while, with dreams to compete with the big boys. None of them happened as indecision overwhelmed the vision, like...

Logo design – jayda karsten

Logo Design – Jayda Karsten

Logo Design for Jayda Karsten, Visual Artist in Calgary, AB. Years ago we've worked together on a mural that was displayed for weeks on the metal fence by "the pit" on 4th Street SW in Mission, Calgary. Many of us still remember "the pit", like a never ending...

Logo contact graphics

Logo Contact Graphics

Contact Graphics Logo Design – logo designed in 2003 for a boutique advertising agency in the Tri-State area, NY-NJ-CT. When a client comes to you and wants a logo done yesterday, then sits with you for hours and gets an image that satisfies him/her. Bold and...